Week 6 (3rd Nov.)

Monday Nov. 3rd – Last week had been incredibly insane for me and I was honestly still trying to recover today. I’ve been feeling really burnt out with work, uni and conventions. I’m hoping that once I get this freelance project done I’ll be able to re-establish a pace that works better for me. I also got a rejection from the Lego internship which was unfortunate. I haven’t been applying to much recently, just because I haven’t had any time, but I’ve been rejected from everything I was waiting on now, other than a few unpaid indie projects, so I really need to get back on top of that. Anyway, today I worked on Isobel brief until we found out it was moved to Wedensday. As soon as I saw this message I switched to my freelance project for ECR. I scanned in more of the assets I had made and then spent some time playing in After Effects. I had planned to take more screenshots and pictures, but the process gets away from my sometimes, especially when I am working on so many projects at once.


Tuesday Nov. 4th – Today we had a meeting for Purr Point Productions where we went through some of the initial game ideas. The majority of us are animators / visdev artists so we didn’t have the necessary experience to know what genre game would be feasible to produce. We ended up playing with the ideas of an endless runner style game or some sort of collector or territory capture, in the vein of Temple Run and Subway surfers or Splatoon or Jet Set Radio. The idea for a platformer came up as well as we have a lot of Sonic the Hedgehog fans on the team. The devs said this might be more difficult to get right because the physics need to be super polished, but ultimately I think it’d be best for the two devs to have the final say in the game mechanics. As for style, we all seemed very set on a Y2K aesthetic with lowpoly models, saturated colors and flat textures. For the next meeting I want to put together some moodboards for environments, characters, graphics and props. I also want to talk to Maliha about possibly taking on a production role on the project, as it is something I’d like to learn about and I feel like I have strengths in leadership and organization.

Later, I went to a screening of Guillermo Del Toro’s new Frabkenstein film at Soho House. Netflix invited 15 UAL students to watch the movie and it was really quite good. I am a big fan of the original book and the film made some changes I didn’t like much, but it was definitely by far the best film adapation of the novel. I especially liked the costumes and the color grading, as well as the re-characterization of Elizabeth. She was much more interesting and it definitely made her appeal more for modern audiences without erasing her original characterization. I did not enjoy the re-imagining of Victor and Henry’s relationship because they had a completely different dynamic to the book, and I think it detracted from the necessary juxtaposition between Victor’s isolation in his obsession with playing god, and the rest of humanity. I did like the new story when the creature goes out alone and meets the old blind man who is ultimately killed. It was definitely updated for a modern audience, but for me it was one of the most impactful plotpoints. While I think the creature saving the girl from the river is a pivotal moment in the book, Del Toro’s execution of the creature’s development was spot-on for the character. I also liked that the movie replaced the somewhat rapey and vaguely sexist motivation for the creature to have a wife, with a simple desire for companionship, “We can be monsters together.” Overall, it was a great watch and I am always enamoured by Del Toro’s artistic skill.

Finally, when I came home I began to add some of those references to the Miro board and created a little section for visdev.


Wednesday Nov. 5th – In the morning we had a session with Zoe Tynan-Campbell on ‘Charting Your Vaues’. Personal Values are something that is at the forefront, and completely intrinsic not only to my practice but to the way I conduct my entire life. After contextualizing the session a bit, we began with an activity listing our personal values.

I found this quite easy because of my dedication to authenticity and activism. I spent a lot of my time discussing and analyzing my personal ethics. I subconsciously bolded the word that felt most important to me, and came up with my own 3 Fs. They helped me boil my moral mantra down to ‘Being able to do the things we want to do, with the people we want to do them with.’ What I want out of my life, and subsequently my career is to do things I enjoy, and provide joy to those around me. Politically, I am a self-declared anarcho-communist, but I refuse to hold myself to any code defined by someone else, anarchist theory just alignes strongly with my navigation of the world.

After that we did an activity where in five minutes we we’re to draw ourselves as some sort of archetype reflective of how we see ourselves within our creative practice.

Initially I thought of myself as a rock, a sturdy base to uplift my team members with a solid foundation of skills, but this felt too passive. I am someone who trys to encourage others, but myself as well. I considered the title ‘genie’ but I didn’t like the mysticism of just granting wishes. I feel my skills lie in the consistent effort I make to allow myself and other to achieve our goals. So, I went with the enabler. That word has a bit of a negative connotation, but I see it as ‘one who allows a person to make the things they want happen.’ The last thing I want is to be a restrictive force upon myself or others, thus I put my best efforts into doing the things that need to be done to make things happen. Now that I think about it, maybe ‘The Catalyst’ is a cooler name for it.

Finally, in groups, we charted skills we thought we possessed, both soft and hard. The activity made me realize that I believe that every single person posesses every single skill that can be fathomed. Or at least the potential for it. Even when thinking of my weaknesses, there are situations in my life where I still demonstracted proficiency in said skills. For example, time-management is an area I feel particularly weak in. However, my group helped me realize that whether I feel I am managing my time poorly or not, I have rarely missed a deadline. My time-management process might not be the most efficient or comprehensible, but somehow, my time does get managed. I believe this can be true for any skill. Furthermore, this emphasized the importance of collaboration and community. If a certain skill comes easier to your friend than it does to you… work with your friend!

Zoe also mentioned introspecting on your NEEDS. Rather than focusing solely on what you can bring to your practice or to a company, thinking about what you want to gain from it/them. We didn’t have time to chart these out, but it made me realize that for my SIPS project (Sawtooth) I want to make sure I remember to put emphasis on worker’s needs (it is a socialist endeavor afterall). I wrote down “Focus on worker’s NEEDS in order to serve client needs.” If the needs of everyone working are not met, then how can a client expect us to serve their needs. This is also a refection of one of the core failures of capitalism.

She finished of with suggesting a 3x3x3 reflective task. I believe I covered the first two 3s in my reflections above (3 things that resonated with me oin the session, 3 things/values central to my practice). The third however, was 3 small actions I can take immenently for my practice. I think the first thing I can do is chart a list of my personal needs as described in the last paragraph. Secondly, I’d like to create a research plan to really kickstart this Pitch project. Basically finding out what I need to find out, and what kind of team I need to build. In all honesty, the last thing I feel I need to do is finish the freelance project I’m working on. In order to shift my focus to the other things I need to get done, I need to get this project off my back. I’m not being paid very much for it, and it is just a supplementary piece for a music event, it is not the main focus, and I need to let myself stop at ‘good enough’ rather than stewing in the pressure of producing something perfect.

In the evening we had our session with Isobel.


Thursday Nov. 6th – I was at work.


Friday/Saturday Nov. 7th/8th – I am going to be completely honest, I cannot remember what I did these days as I obviously did not write about them here until now. I almost certainly spent most of the day doing chores and working on


Sunday Nov. 9th – I was at work.

Week 5 (27th Oct.)

Monday Oct. 27th – I spent the morning putting together a quick powerpoint to be able to present for Isobel at 5.


Tuesday Oct. 28th – I spent the day working on a freelance project for a live event hosted by Eternal City Records. I am producing 90 seconds of small mixed media animation loops for them to project as the performers play. First I gathered some reference from mixed media artists I already follow, based on a folder of references the client sent me. Then I did some brainstorming and scanning experiments. When doing mixed media work I tend to just play and write down any ideas I have. Once I have a lot of experimental results I pull all of them into After Effects and play until I find something.


Wednesday Oct. 29th – On Wednesday, I spent a lot of the day helping my roommate take photos for her uni work. I also spent time working on new thumbnails for the Isobel Stenhouse brief.


Thursday Oct. 30th – I woke up at 6:30AM to prepare a cake for my roommate’s birthday, before a 7AM voice acting masterclass online with Joe Zieja.

The masterclass was honestly not a ton of new information, and a big portion was more of an ad for Joe’s VA Academy. However, it did inspire me to begin auditioning again as I have a lot of fun voice acting. Once I finish my freelance project I’m going to put together a new demo reel and start applying for VA work again. After the class I spent the rest of the day at work.


Friday Oct. 31st – I worked on a piece of the ECR freelance project as well as chores.

Then because it was Halloween I went out with my friends.


Saturday Nov. 1st – It was Sonic Con so my friends and I went to the convention. It was lots of fun and we got too see a lot of the Sonic music live. However, we were so exhausted from the night before that we went home and passed out basically immediately.


Sunday Nov. 2nd – I was at work.

Week 3 (13th Oct)

Monday Oct. 13th – Had a briefing with Isobel Stenhouse for our first live brief. I honestly didn’t get everything right away as I was in a very loud cafe, because I had to go straight from the meeting to work. However I did get to familiarize myself more with what would be expected of us and I knew I definitely wanted to do this brief. We also got to ask Isobel about her background and experiences in the industry which was informative, however just as disheartening as it has been talking to anyone in industry recently. All of these speakers talk about how they got amazing training, and all the people that taught them so much in their early roles where someone took a chance on them. But after speaking to several seniors at InMotion, it seems that no one wants to or has the budget to train new artists… So my question is: where the hell are we supposed to get these experiences??? I get the same answer from everyone that’s just ‘Keep trying.’ ‘If you love it don’t give up.’ and ‘Make the things you want to make.’ But errr, none of that pays my rent…
Isobel also mentioned many online training corses that were very pricey when I checked. The numbers she gave us were much lower than what they actually cost. I find it very difficult to understand how so many of these people are able to take all the training courses they talk about, as well as breaks when they experience burnout. I can’t imagine there’s enough money in Animation to be able to save anything so I truly wonder where all these ‘savings’ are coming from. I understand that with university costs I have to spend a lot more than the average worker, but even with my part time job I NEED the money my parents very kindly saved for me to survive. When I have to be working I can’t see how living in London will ever be sustainable unless I can get a stable job.


Tuesday Oct. 14th – I spent the day working on a card I offered to design for my parents for their 25th wedding anniversary (congrats!). While my Mom tries her best to avoid using AI both due to environmental concerns and the fact that both her children work/study as artists negatively impacted by genAI, she isn’t always able to identify it. Companies prey on people who’s eyes aren’t trained to see AI in order to get away with using cheap bad art. She had sent out some save the dates she’d made on a website without realizing that the images on it were AI generated. I had a conversation with her and she apologized clarifying that she didn’t know, and didn’t mean to do so. She had wanted to ask me to make something for her, but as I have been really busy she didn’t want to give me more work. I explained to her some of the things to look out for, and then offered to redo the card. I don’t like to do work for free, but obviously for my parents I would do it. The only problem is that I really didn’t have the time to the card I ended up making is not of the highest quality I can produce. I hope however they can acknowledge the meaningfulness of having me do this card (regardless it looks better than the slop that it was before). My mom said she felt really bad for not noticing, but it really wasn’t her fault. And she just didn’t want to add to my workload. I wish companies would consider the ethical and environmental impact of their choices and stop praying on the less educated to make a quick buck. It’s disgusting.


Wednesday Oct. 15th – I spent Wednesday finishing off the card from the day before and then went to LCC to catch back up on emails and scheduling. I also met my brother to pick up posters for his show, for which I will be producing projected visuals.


Thursday/Friday Oct. 16th/17th – I was at work. I also heard back from the ScreenSkills traineeship. I was unsuccessful in my application which I was upset about, but honestly I’ve just come to expect now. It’s hard out here.


Saturday Oct. 18th – I went to Thorpe Park with my roommates. It made me wonder about becoming a scare actor, I think it would be fun.


Sunday Oct. 19th I honestly can’t remember what I did on Sunday. Definitely slept in, then I believe I was working on cosplay stuff for Comic Con.

Welcome to DPS – Week 1 (29th Sep)

Monday Sep. 29 – Today was our first day back at LCC and we got a total information overload. Admittedly, I didn’t do a great job at keeping up with DPS updates over the summer, as I find Teams chats incredibly hard to navigate, but the briefing we got about our first few weeks back definitely helped clear somethings up for me. We went over the requirements for the diploma and I took some notes on the things I would like to participate in/complete over the year. I took the time to sign up for the Lego workshop on Thursday and noted down the Live-Briefs I was interested in (Isobel Stenhouse, Purr Purr prod, Blink Industries). I am most excited however, to officially do a Self-Initiated Project surrounding an idea I had for a co-op production studio. I also found out a lot of my volunteering at convention’s can qualify as work for DPS so I would like to have a conversation with Maliha about it. I’m wondering if my current job also counts as I am surrounded by comic books all day and technically working in tandem with the publishing industry.

My list of things to get done this week:
– Update spreadsheet of contacts
– Schedule designated time for each aspect of DPS (applications, SIP, freelance, work)
– Look into GCS


Tuesday Sep. 30 – Today we had a session with Roxanne Peters around Intellectual Property, and in the afternoon I got a little taster of the Global Campus Studio.

The IP session was quite surface level but we covered the basics of copyright and Roxanne was able to very succinctly answer all of our questions and assuage any concerns we had around IP law. We disscussed some of our own experiences with copyright and IP and looked into several types of IP including trademarks, moral rights, fair use etc. We also discussed current industry cases related to IP such as genAI. I am someone who is vehemently against genAI both on the grounds of ecological impact, as well as in regards to creative theft. We discussed this quite in depth, however we all seemed to be in pretty solid agreement with each other. We finished off the session with a fictional case study that can be seen on the padlet (pw: creativerights). Again, most of the people in the room seemed in strong agreement that given the situation, in any position of the hierarchy, we would make sure our concerns were heard. The issues highlighted in the prompt triggered both ethical and legal concerns and us (the studio) would be the ones to deal with the backlash. It reminded me of a previous job I left, due to similar issues, and I know personally, my morals always come first. However, we did discuss that we can acknowledge that not everyone necessarily has the privilege to leave work in the same way.

“I’m too punk-rock to let anyone get screwed over like this.” – me, 2025

Because I want to start a studio founded on my personal anarcho-communist values, hopefully aimed at both a local and global market, I need to learn about business practice, and the intricacies of individual creator’s rights both within the UK, but also pertaining to other jurisdictions. I’m very glad we got to meet Roxanne because this is a point of contact for me that will be very important to my Self-Initiated Project.

In the afternoon we joined a session of the Global Campus Studio. Admittedly this did not go well for a lot of us. I hadn’t signed up for it initially, however Maliha encouraged us all to attend just to see what it was all about. A group of us joined the call and were immediately lost. It seemed that 1) it had been structured for every student to be on their own device, which we were not, and 2) many of the other schools apparently had already had sessions for this, so the organizers did not explain anything to us. I was honestly under the impression that it would be a briefing session with Izzy, but we just got right into it and I had no idea what this thing was even about. After quite a bit of faffing I found the initial call-out email detailing what GCS was (admittedly I was not on top of my emails this summer due to my job) and I joined a fellow DPS student who was signed up, to participate in the activity. We had to work with other internationally based students to come up with a fictional marketing profile. This however was not totally clear to us UAL students because we were generally just quite confused about everything. Our breakout group did not to a very good job of communicating with each other, and I felt the profile we came up with was incredibly bare-bones and poorly crafted, not representing any tangible consumer experiences. I would have liked to speak up more and take the lead, but I felt I didn’t have the information I needed about the program, the activity, or any of the people I was working with. Ultimately, GCS felt very disorganized to me, though I can accept partial blame for not keeping up with the provided info, and reminded my intensely of a business class I took in high-school that I really didn’t enjoy. While I am aware that marketing and product R&D is important even in the animation industry, I’d like to focus my DPS year much more on animation and hands-on creative development.


Wednesday Oct. 1st – We started the morning with an I Like Networking session with Isabel Sachs. She was very enthusiastic, but I felt the session just reiterated things we had learned from previous networking sessions. My biggest takeaway was probably to reframe all of my bios/profiles to state what I can do for others rather than, ‘Hey, I’m looking for work please hire me.’ While I tend to feel I don’t have enough experience or skill to be desireable, I think I can reframe a lot of my online presence around serving others in industry. Another thing it helped me realize is the importance of a call to action in any posts or messages while networking. I want people to do something when they see me, whether it’s hire me, look at my profile, follow me back etc. Finally, I decided I really need to get on top of creating a contact spreadsheet and tracking who I’ve spoken to, so I feel less awkward about messaging people out of the blue after months of no contact.

At home I decided to work on my application for the LEGO internship in Denmark. I’m not entirely sure it’s feasible for me to leave London for 5 months but I feel that if I got this opportunity I would have to take it. I wrote my cover letter which was a bit difficult as they had a maximum of 300 words, and I tend to write around 400, so I really had to condense. I also began drawing and collaging the poster they asked for.

I’ve never had to do something like this for an application but I had a lot of fun putting it together.


Thursday Oct. 2nd – In the morning we had a session with Eddy Altman from Creative Conscience. He gave a really impactful presentation showcasing lots of projects. We did an activity listing passions and complaints and used it to ideate ideas for our Self-Initiated Projects. I had already been thinking about an idea for a co-op style production studio, founded on anarcho-communist values, and I feel that it aligns very well with many of the sustainability goals. Eddy was very vulnerable with us and it made me think of my little brother and the cancer scare we had with him. I thought about how I’m also not optimistic about my future, it’s bleak, and there is absolutely a new normal we will al have to get used to, we are definitely past the tipping point, both politically and enviropnmentally. However, despite everything I will do everything in my power to make things as good as they can be, for myself and everyone in my life. Especially after struggling so much for my entire late childhood and adolescence. That’s why I want to start my studio. To put good things out into the world, while making good things happen for the teams I work with. My biggest takeaway was to reach out to the communities I want to serve, and build on what’s being done already. I don’t have to change the entire world from scratch.

In the afternoon we began with a session with Sat Sehmbey and Davinia Clarke from Creative Shift. I wasn’t really sure what it was about but they introduced it to us as an extracurricular support program for students from underrepresented communities. I’m not sure that any of the partner companies interest me, and I’m not quite sure how Creative Shift relates to the DPS, other than just extra live briefs. However, I appreciate there being a place to go for help as a queer, disabled, immigrant student. I may look into it a little more to perhaps find a mentor that I can talk to with similar expreriences. Maliha said they will send us the briefs as soon as they get them so I will evaluate them once we know what they are.

Finally, we ended the day doing a Lego Serious Play workshop. There were only four of us so we got side-tracked quite a bit, and were forced to leave the room early, but the session facilitated a lot of discussions between us surrouding work, play and all the problems with UAL’s administration. When we left the room we ran into some coursemates who weren’t on DPS and set up an improptu Lego session in the middle of the LCC gallery. I’m not really sure if the whole idea of Lego Serious Play works for me, as I’m definitely more the type of person to collect specific Lego sets and build them according to instructions and then display them. But, having a more casual environment to facilitate discussions where it feels like there’s less pressure, is definitely something I enjoyed. I am a fidgeter and I love having something in my hands as I talk and learn.


Friday Oct. 3rd – We did a networking workshop with Alexiane Cazenave from CreativeFabric. What I hadn’t realized was it was actually the same workshop we had last year. We did activities focusing on projecting confidence with your voice and body as well as some improvized scenarios to practice approaching networking in person. I find all acting workshops super fun. I really like getting up and moving around, and the theater kid in me still likes to play a part in front of classmates, so I enjoyed myself. I also found that I remembers a lot of the techniques from the first workshop, and I was much more coinfident practicing them the second time around.

When I got home, I had an hour and a half to finish my Lego application poster, whittle down my cover letter, and make a PDF portfolio (as mine is a website), before I had to leave for Refused’s last ever London show!! I locked in and finished everything with 15 minutes to spare and the had an absolute ball at Brixton Academy.


Saturday/Sunday Oct. 4th/5th – I spent Saturday sleeping because I went to a club after the gig on Friday and got home at sunrise. No class, job, or DPS is going to alter my #1 ethic value of life; having a good dang time. On Sunday I was at work all day and then went to my local pub quiz with my roommates as we do every week.